Marcia Ball
Live! Down The Road
Alligator
Live! Down The Road
captures Gulf Coast blues stomper Marcia Ball at her absolute
best. This disc does as good of a job in capturing the energy and mojo
of a live performance as any live recording I've heard before.
If you've ever seen this
scintillating pianist / singer in concert, then you'll know exactly
what's in store. In fact, you've probably already stopped reading this
review and are hightailing it to your favorite music store or online
commerce site to get a copy of this disc ASAP.
For those of you still
paying attention, here's what you can expect from Live! Down The Road.
Ms. Ball always plays her butt off every time she sits down at the
keyboards; this particular show, recorded in Chico, California at Sierra
Nevada Brewery's Big Room, is no exception. Simply put, she was in
excellent form that night and her regular backing band smoked.
The sound quality is so good
that you'll want to put on headphones and crank up the volume just to
try to find any flaw in the recording. You won't.
The show opens with one of
her regular numbers, the rollicking "Big Shot." You'll be tempted to hit
the replay button numerous times to hear this song over and over, but
show some restraint. There's still lots of good stuff to follow.
Guitarist Pat Boyack, a fine
recording artist in his own right, provides one of the highlights on
"The Right Tool For The Job," turning in a couple of hot solos to
complement Ms. Ball's tasteful piano work.
"That's Enough Of That
Stuff," a New Orleans flavored up-tempo second line number gives a
couple of other band members a chance to take a turn at the front of the
stage, with tenor sax player Brad Andrew and B-3 man Red Young both
contributing great instrumental breaks.
Another similar New Orleans
type number, "La Ti Da," was first recorded by Ms Ball on the 1989
Gatorhythms album. It's been a regular part of her live shows since
then, and for good reason --- it gives her the chance to really stretch
out and play some nice piano.
Fellow Texas singer Angela
Strehli joins the band for a duet with Ball on the mid-tempo "It Hurts
To Be In Love."
The title cut, "Down The Road," tells such a vivid story that the one
can't help but visualize riding along with Ball and friends along a
backwoods Louisiana highway to some sleazy jook joint.
The band redefines the term
'up-tempo' and the frenetic "Crawfishin'," that has Ball's fingers
roaming up and down the keyboard at a breakneck pace, at times turning
this swamp classic into a fiery boogie woogie. Andrew throws in an
extended sax solo that will leave the listener as breathless as he must
have been after playing it.
Just when she has the live
audience whipped into a total frenzy, Marcia brings them back down to a
slow sway on what to me is the highlight of the disc, an absolutely
beautiful version of Randy Newman's "Louisiana 1927." As much as most of
her music really defines "party music," it's songs like this one that
really distinguish her as a great, great artist.
After a couple of other
cuts, Ms. Ball closes the show with another extended frantic number in
Tampa Red's "Let Me Play With Your Poodle." This one lasts close to
eight minutes, so every instrumentalist gets one final chance to shine.
They all seize the opportunity and run with it.
I'm somewhat hesitant to
declare a live of mostly previously released material as the best disc
of the year, but I can't imagine anything else moving me as much as this
disc does every time I listen to it. While it would have been more fun
being at this show, Live! Down The Road is the next best thing.
--- Bill Mitchell
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