| 
						 Guitar Slim Jr. 
						The Story of My Life 
						Orleans Records  | 
					
				
		 
			
  
				
							
							
When
								I first owned a copy of The Story of My Life (Orleans
								Records) by Guitar Slim Jr. in 1988, I was in my early
								years as a blues fan. I had only recently found out about his
								father, Guitar Slim, via a few songs collected on the Guitar
								volume of Atlantic Records 4-Volume Blues series released a
								few years before. I found out that the elder Slim (born Eddie
								Jones on December 10, 1926, died in February 7, 1959 at age
								32) inspired a whole bunch of later guitarists, notably.Buddy
								Guy, Albert Collins, Chuck Berry, Guitar Shorty, Billy
								Gibbons, Jimi Hendrix, Stevie Ray Vaughan among others.
								He was also a
								big influence on his son, who was born Rodney Armstrong in
								New Orleans in 1951. Armstrong was only eight when his father
								passed away, but he was taken in by many of the Crescent
								City’s musicians. Huey “Piano” Smith bought
								him his first guitar amplifier and Earl King, who was also
								influenced by Guitar Slim, was the first to give the son the
								same tag. In fact, Guitar Slim Jr. was well into his music
								career when he recorded The Story of My Life in 1987,
								somewhat reluctantly. He wasn’t that enthusiastic about
								making an album and he definitely didn’t want to, as he
								stated, “lean on my daddy.”
								Despite his
								intentions, The Story of My Life includes seven Guitar Slim
								Sr. songs (“Trouble Don’t Last,” “Letter
								To My Girlfriend,” the title track, “Bad Luck
								Blues,” “Reap What You Sow,” “Well, I
								Done Got Over It,” and “Sufferin’ Mind”),
								and listeners can hear some of the same vocal qualities
								shared between father and son, as well as on guitar, which is
								not surprising because Slim Sr. influenced so many other
								artists. However, Slim Jr. doesn’t resort to slavish
								imitation. He puts his own spin on his father’s songs
								and shows himself to be a very creative musician in his own
								right.
								The Story of
								My Life also includes a few covers of soul 
								tunes, including a pair from Tyrone Davis (“Can 
								I Change My
								Mind” and “Turn Back The Hands Of Time”)
								and Clarence Carter (“Too Weak To Fight”). Slim
								Jr. proves to be a very talented vocalist in the soul/blues
								vein, too. 
								Produced by
								Orleans Records chief Carlos Ditta, The Story of My Life
								features a team of New Orleans’ finest musicians at the
								time, including Preservation Hall drummers Shannon Powell and
								Kerry Brown (of Slim Jr.’s band), Iguanas bassist Rene
								Coman and Deacon John bassist Charles Moore, pianist (and
								future Grammy winner) Jon Cleary, and the legendary Milton
								Batiste blowing trumpet and arranging horn charts.
		The
								Story of My Life was nominated for a Grammy in 1988 for
								Best Traditional Blues Album and Guitar Slim Jr. enjoyed a
								bit of fame, opening for (and becoming friends with) Stevie
								Ray Vaughan and meeting other artists like Gatemouth Brown,
								Johnny Winter, and Prince (who actually recorded a
								never-issued album with Slim Jr. at his Paisley Park studio).
								
								However, hard
								living and partying and waning enthusiasm for the music
								business slowed Slim Jr.’s career momentum. He has
								recorded a couple of other studio releases (1996’s
								Nothing Nice and 2010’s Brought Up The Hard
								Way), plus several discs capturing his live appearances
								at recent New Orleans Jazz and Heritage Festivals. He’s
								still a great performance, but probably his own worst critic.
								
								Guitar Slim Jr.
								should stop being so hard on himself, because The Story of
								My Life is one of the finest blues releases of the late
								'80s and is deservedly being reissued on CD and, for the
								first time, on vinyl. 
								
								--- Graham
								Clarke