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						 Michael Burks 
						I'm a Bluesman 
						Iron Man Music  | 
					
				
		 
			
  
				
							
							
							From the first three 
							notes of “What Are You Doin’,” you know this is a 
							Michael Burks record by the Iron Man’s guitar 
							playing. The record, I’m a Bluesman, is a 
							1998 recording Michael made at Kingsnake Studios 
							that sat in the archives of Wightman Harris for a 
							number of years. Michael’s widow, Bobbie, decided it 
							needed to see the light of day and be heard by 
							Michael’s fans world-wide. I’m proud of Bobbie for 
							her determination to get this project off the 
							ground, and am very happy to have some new music by 
							the Iron Man to listen to. Time to share it with 
							y’all.
							A heavy bass intro 
							from Vernon Allgood gives way to Michael’s guitar 
							and we’re off and running with “What Are You Doin’.” 
							Something’s not right, and Michael’s trying to 
							figure it out. “When I walked into my bedroom…my 
							baby was getting it on.” It’s not particularly clear 
							why she was moved to cheat on Michael, but it is 
							clear that he’s in pain because of her betrayal and 
							you hear it in the notes emanating from his guitar. 
							We move on to a track written by Joe Louis Walker, 
							“Home of the Blues,” and Michael’s reminiscing on 
							the house he called home. “Got a cold bed and an 
							empty heart…I think I hear you calling…and it tears 
							me apart…Mississippi Delta got nothing on this 
							shack…I’m leaving here tomorrow and I ain’t coming 
							back…this old house without you…now it’s the home of 
							the blues.” 
							Michael’s problems 
							with love continue in our next track, a condition he 
							refers to as “Love Disease.” “Call my doctor…doctor, 
							can you help me please…well my doctor told me…he 
							can’t cure the love disease.” Unlucky in love again, 
							Michael is working through the pain it’s causing him 
							and hopefully he’ll manage a complete recovery. It 
							doesn’t matter who he calls for help --- his doctor, 
							his mother, his preacher --- none of them can 
							provide the cure for what ails Michael most, his 
							love disease. I have to admit that Michael’s cover 
							of the Hall & Oates tune, “Sara Smile,” surprised me 
							but it’s probably my favorite song on this disc. 
							Michael’s a big teddy bear with a heart of gold, and 
							the love he expresses in “Sara Smile” is real. “When 
							you think you can’t go on…I’ll come and hold 
							you…it’s me and you…forever….Sara, smile.” 
							Beautifully done and I can see Michael in front of 
							his microphone serenading a rapt audience that he’s 
							holding in the palms of his hands. 
							Bob Greenlee, the 
							owner of Kingsnake Records, wrote our next tune, 
							“Broken Wing Woman.” “She’s a broken wing woman…she 
							fell out of someone else’s nest…she likes the home I 
							gave her…but she still likes her freedom best. 
							Michael’s fretwork lends its mournful tones to this 
							tale of a broken woman and I’m glad she at least 
							found some peace in the home that Michael provided 
							for her. Michael tells it best, “I found this 
							broken-hearted woman…now she’s breaking mine…should 
							have known she wouldn’t stay.” 
							Michael’s incendiary 
							guitar returns in a tune written by Lou Pride, “I 
							Didn’t Take Your Woman.” “If you hadn’t been good…or 
							good to her…treated her right…she’d still be 
							there…right back with you now…instead of in my arms 
							tonight…let me tell you, I didn’t take your 
							woman…you gave her to me.” A woman treated badly 
							will always look for the arms of a man who wants her 
							most and Michael’s proof of that here.  
							Michael’s not a man that can be fooled easily and he 
							tells his woman that in a tune he wrote with Bob 
							Greenlee, “You Ain’t Slick.” She calls in sick to 
							work, dresses to go out to play and Michael says it 
							best, “You ain’t slick…I know every move you 
							make…and you ain’t that quick.” This one isn’t long 
							for Michael’s affections and I’m sure she’ll see the 
							door before too long. 
							I hear some horns in 
							the background of our next track, “Blues Will Never 
							Die,” and Bill Samuel’s arrangement for the horns is 
							impressive. “If your love for me is dead…you know 
							the blues will never die.” Michael loved the woman 
							in question and his heart will grow heavy and endure 
							the pain of her leaving his life for a long time to 
							come. You can pack up the pictures, removed all of 
							the reminders of what was…but your memories will 
							haunt you…”and the blues will never die.” “My Little 
							Girl” is a beautiful ballad of Michael’s that shows 
							the importance of his child to him even while his 
							relationship with her mother is falling apart. “I 
							know that it’s over…life goes on without you…now you 
							found another…you doing what you gotta do…now I live 
							beside your world…oh, but I need my little girl.” 
							His little girl is everything to Michael and he will 
							do whatever he has to…just to keep her in his world.
							Michael continues to 
							be unlucky in love and he covers his significant 
							other’s infidelity in our next cut, “Games Two Can 
							Play.” His fretwork continues to echo the sadness he 
							feels at being deceived, but he’s up for the 
							challenge of moving on as he sings, “I asked about 
							your new man…you say he’s just a friend…two can play 
							this cheating game…baby, I’m on my own dear.” 
							Michael was a blues man through and through, a topic 
							he covers in “That’s What I Am.” “Just like bacon 
							and eggs…just like ham…on rye…that’s me and the 
							blues…I’m a blues man…til I die.” Indeed my friend, 
							you definitely were a blues man until the day you 
							died and we miss you to this day. 
							The record closes 
							with another tune written by Michael, “Raised Up In 
							Arkansas,” celebrating the land he came from. “I was 
							born in the water…raised up in Arkansas…oh, about 
							the age of two…I started playing my guitar.” Michael 
							got started at an early age and left us way too 
							early but I’m grateful for his time on earth and the 
							friendship I shared with him. 
							My hat’s off to 
							Bobbie Burks and Wightman Harris for bringing this 
							labor of love to fruition. It’s a stellar recording 
							that can stand toe to toe with anything ever 
							released by Michael and a fitting tribute to the 
							Iron Man and all he stood for to Blues fans 
							worldwide. I’m sure this will never be a disc with 
							great distribution, so I encourage anyone who was a 
							fan of Michael to go to his website,
							
							www.michaelburks.com, and grab this treasure for 
							yourself. You’ll be glad you did.
							--- 
							Kyle Deibler