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						 Ryan Shaw 
						This Is Ryan Shaw 
						Razor & Tie  | 
					
				
		 
			
  
				
				
							A friend recently 
							turned me on to the music of Ryan Shaw. His 
							was a new name to me then, but since getting a copy 
							of the 2007 debut release, This Is Ryan Shaw 
							(Razor & Tie), I've listened to the CD so many times 
							that I'm now as familiar with Shaw's voice as I am 
							with the sound of my own family members.
		Shaw, who just turned 30, learned to 
		sing in the church but then turned his prodigious vocal talents to the 
		classic soul and R&B styles of the '60s and '70s. The result is an 
		unqualified success, as the dozen songs here evoke memories of Jackie 
		Wilson, Wilson Pickett, Junior Wells, Bobby Womack, and other soul 
		greats, all delivered in his own style. Simply put, Ryan Shaw has an 
		incredible voice!
		The album opens with the Junior 
		Walker-sounding up-tempo stomper, "Do The 45," which was first recorded 
		in the mid '60s by the obscure St. Louis soul group The Sharpees (check 
		out the great original version on
		
		YouTube!). Following are two band originals, "We Got Love" and 
		"Nobody," both of which sound like they could have been written and 
		recorded two decades before Shaw was born. While the opening cut is more 
		of a warm-up party song, albeit a very good one, "We Got Love" starts to 
		hint at Shaw's amazing range.
		The absolute stunner on the disc comes 
		with the fourth cut when Shaw delivers an incredible vocal performance 
		on Ashford & Simpson's "I Am Your Man." It's absolutely inspirational 
		--- "testifying" soul at its very best. When he sings the recurring 
		line, "When I take your hand," shivers will run up and down your spine.
		Shaw then takes a turn towards Motown 
		with another keeper, "Working On A Building Of Love," done originally by 
		Chairmen Of The Board. He doesn't stray far from the original version 
		but packs even more power into the raw emotion of the song.
		"I Found A Love," a Wilson Pickett 
		classic from his days with The Falcons, is another excellent number, 
		containing Shaw's shouting, pleading vocals throughout the number, along 
		with the requisite Magnatone-infused guitar licks à la Robert Ward, done 
		here by Johnny Gale.
		I was familiar with a previous version 
		of "Lookin' For A Love" released by the J. Geils Band in 1971, but 
		research indicates that the original was done by the Valentinos, with 
		Bobby Womack on vocals, in 1962. Womack later re-recorded the same 
		number on The Soul of Bobby Womack. Shaw's rendition slows the 
		tempo considerably and has a stronger gospel feel than the original.
		"I'll Be Satisfied," one of Berry 
		Gordy's early compositions, was covered by Jackie Wilson, and Shaw's 
		fine version pays tribute to the late, great soul singer. 
		Wrapping up the album is a Shaw 
		original, "Over & Done," an R&B send-up of a sad but also redemptive 
		break-up with a woman.
		Shaw's only other recording since this 
		wonderful CD is a six-song EP done in 2009. He's long overdue for a 
		second full album. Someone PLEASE get this man back in the studio soon! 
		In the meantime, if you're a fan of vintage soul/R&B and don't yet have 
		this disc --- well, what are you waiting for?
		--- Bill Mitchell