Bob
Corritore
Phoenix Blues Rumble
VizzTone / SWMAF |
This album is truly a Flashback for me, bringing
back memories of the first blues artists I heard when I moved to
the Phoenix area in 1990. Phoenix Blues Rumble, still
another of the plethora of live recordings in the deep vaults of
blues entrepreneur / harmonica player / Rhythm Room owner Bob
Corritore, contains a dozen cuts from sessions recorded
between 1987 and 2017.
Corritore is the common thread on each number,
blowing away on his harmonica in the background. The singers
featured here are Chico Chism, King Karl, Sugaray Rayford, Dave
Riley, Big Pete Pearson, George Bowman, Tommy Dukes, Dino
Spells, and Chief Schabuttie Gilliame.the list of backing
artists detailed on the back cover is practically a "who's who,"
not just Arizona musicians but well-known cats from around the
country like pianist Henry Gray, guitarist Kirk Fletcher,
guitarist Rusty Zinn, pianist Fred Kaplan, sax man Doug James,
and many more.
It's mostly Chicago blues, not surprising since many
of the artists here hailed from that background. It's especially
great to hear Chico Chism again. During the time from when he relocated
from Chicago to Phoenix, he WAS the blues in the Valley of the Sun, a
charismatic personality that has never been replaced.
The album
starts with one of Chism's classic songs, "Big Fat Woman 480 Lbs.,"
one of the times he would be showcased as the leader of the band
rather than providing his usual steady beat on drums. If there's
enough Chico material in Corritore's vaults, we'd all love to
have a full album of his music. As if one legend is not enough, we also hear Henry Gray contributing his usual stellar
piano work on this cut.
One of the more interesting singers around the
Phoenix area in the 1980s and 1990s was Chief Schabuttie
Gilliame, who actually had some level of African royalty. With a
Howlin' Wolf-type growl and rasp to his voice, Chief is featured
on two songs, "Come To Me Baby" and "Leopard Speckled
Baby." The latter number is a slow blues highlighted by Gray's
second of two appearances and Corritore comes in
with a seductive harmonica solo, with Chief pouring out his
admiration for that woman whose freckles on her body from
head to toe and everything in between are there to keep her man at home.
"Leopard Speckled Baby" is one of my favorite cuts on the album.
The Phoenix blues scene received a treat when
Louisiana blues legend King Karl relocated to the Valley in
1992, remaining here until his death in 2005. We hear remakes of
two of his earlier Excello classics, with nice versions of "Walking In
The Park" and the iconic "Mathilda" that both rival Karl's
original versions.
George Bowman, a native of Detroit, is still on
the scene today, leading various bands, and we hear his soulful
voice on the slow blues "I Was A Fool," with his powerful vocals
blending with Corritore's unobtrusive harmonica riffs and fine
guitar accompaniment from Jon Atkinson. The tempo picks up on
another Bowman original, "Nine Times Out Of Ten," with another
stimulating vocal performance from our star as well as a hot
blues guitar solo from Atkinson. Listening to these two cuts
makes me wish we had more George Bowman stuff available, although
worth checking out is the more contemporary sounding Feel Sorry For The Man
collection.
Dino Spells was a transplant with previous roots
in St. Louis, Milwaukee, Chicago, and Los Angeles before he
wound up in Phoenix in 1983. A multi-instrumentalist who was
perhaps best known for his contributions to an early Albert
Collin s album, Spells sang and played guitar on his own "Jennie
Bea," a rollicking, up-tempo raw blues that sounds like it could
have come from the Mississippi Delta or perhaps the South Side
of Chicago. Corritore's echo-y harmonica break is one of the
highlights of the song.
Two of the more recent blues transplants include
Mississippi native Dave Riley and Texas native and southern
California blues regular Sugaray Rayford. Riley came
to Arizona from Arkansas, and his "Laughing Blues" is a raw,
up-tempo number that reflects his Delta background, dominated by
his raspy vocals and Corritore's harmonica breaks. Rayford's
big, big voice delivers a slow blues, "The Glide," as he sings
about his three-legged horse. Typical for a Sugaray song, it
delivers a raw blues sound with a touch of urban sophistication.
Junior Watson's guitar work and Fred Kaplan's piano playing take
"The Glide" to another level.
This collection would not be complete without a
song from Texas native Big Pete Pearson, who perhaps deserves
the crown of dean of Phoenix blues,. He closes the album with a
slow blues, "I'm Evil," with tasteful jazzy piano from Matt
Bishop that is in contrast to Big Pete's
shouting vocals.
Phoenix Blues Rumble is recommended
listening. If you weren't around the Phoenix area when these
great performers were on the scene, you'll wish for a time
machine to take you back to that era. Since that isn't
possible, just listen to this wonderful collection and feel the
groove of all nine singers booming out their original songs.
--- Bill Mitchell