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									Johnny Rawls 
									Soul Survivor 
									Catfood Records 
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							Johnny Rawls keeps getting better and better 
							with each release. His previous effort for Catfood 
							Records, Memphis Still Got Soul, earned three 
							Blues Music Awards nominations (Soul Blues Male 
							Artist, Soul Blues Album, and Song of the Year for 
							the title cut). As good as that disc was, I have to 
							say that Soul Survivor is even better, with 
							ten stunning tracks of classic soul blues.
							
							Rawls has recorded for a lot of different labels, 
							but seems to have found a home with Catfood Records. 
							He and Catfood owner/bass player Bob Trenchard wrote 
							or co-wrote nine of the ten tracks (fellow Catfood 
							artist Sandy Carroll also contributed). The 
							originals include the title track, a retrospective 
							of sorts, with Rawls traveling the highways with his 
							band, carrying on the deep soul tradition of artists 
							like his mentor O. V. Wright, Johnny Taylor, and 
							others.
							
							“Hand Me Downs” has an original lyric and a smooth 
							medium tempo, while “King of Hearts” picks up the 
							tempo and adds Memphis-style horns. The other tracks 
							include the ballads, “Long Way From Home” and 
							“Drowning,” and the country-flavored “Yes.” “Don’t 
							Need A Gun To Steal” is a topical song about 
							politics and politicians, and there’s even an 
							instrumental, “J.R.’s Groove,” that allows the band, 
							members of the Rays, Catfood’s house band, to 
							stretch out.
							
							The lone cover is Rawls’ traditional O. V. Wright 
							tune. This time around, it’s the classic, “Eight 
							Men, Four Women.” Rawls, who led Wright’s band for 
							most of the ’70s, has never attempted to sing like 
							the legend, but he effectively captures the mood and 
							intensity of the song in his own way.
							
							Soul Survivor ranks with Johnny Rawls’ best 
							work….maybe his best release yet. There’s not a 
							false note anywhere to be found on this excellent 
							soul blues album, one of the best I’ve heard in a 
							while.
							
							--- Graham Clarke