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						Bob Corritore 
						Taboo 
									Delta Groove Music 
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							Though Bob Corritore has previously released albums 
							under his own name, he has usually shared the 
							spotlight with other blues musicians to the point 
							where he took a backseat on his own record. He is 
							usually content to play some of the finest harmonica 
							in the blues today behind an impressive list of 
							blues legends and current of future stars. Over the 
							past few years, he’s appeared on collaborative discs 
							with Tail Dragger, John Primer, and Dave Riley, but 
							with the release of Taboo (Delta Groove Music), Corritore steps out front as much as he ever has 
							before, offering a rousing set of blues harmonica 
							instrumentals.
							Taboo covers a broad range of blues styles, mostly 
							of the Chicago variety that Corritore grew up 
							listening to, and he gets plenty of assistance from 
							a veritable all-star squad of musicians, including 
							guitarists Jimmie Vaughan and Junior Watson, 
							keyboard wizards Fred Kaplan and Papa John 
							DeFrancesco, sax man Doug James, Kedar Roy on 
							acoustic bass, and a quartet of 
							drummers/percussionists (Richard Innes, Brian Fahey, 
							Dowell Davis, and Tobb Chuba).
							Fully in the spotlight on this release, Corritore 
							makes the most of it. It’s not the easiest thing in 
							the world to make an all-instrumental album and keep 
							it compelling from start to finish, but that’s what 
							he does here. His playing is rooted in the 
							old-school harp style, but he mixes in enough modern 
							concepts and variations to keep the listener 
							riveted. There’s a dozen tunes on Taboo and you 
							never feel like you’re hearing the same thing at any 
							time …. the mark of a great album.
							Bob Corritore never fails to please his audience, 
							whether on one of his All-Star sessions or on his 
							weekly radio show or on one of his numerous 
							collaborations with other artists. As good as all of 
							his previous releases have been, I would put Taboo a 
							notch above them, because we hear so much more of 
							his talents than usual … even though most of us knew 
							it was there all along. It’s a genuine pleasure to 
							listen to, one of the best discs of the year so far.
							--- 
							Graham Clarke
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