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									Tracy Nelson 
									Life Don't Miss Nobody 
									BMG  | 
					
				
								
							
				What qualifies veteran singer Tracy Nelson's 
				newest album, Life Don't Miss Nobody, as a "surprise" is 
				not that it's chock-full of quality songs from Ms. Nelson and a 
				host of special guests, but more it's because of how strong her 
				voice comes across considering she's not far from her 
				octogenarian years. Add the quality of songs that were selected 
				and the guests joining here, and this new album is the bomb.
				Nelson's voice is especially strong on the 
				opening cut, a cover of Sister Rosetta Tharpe's iconic gospel 
				number, "Strange Things Happening Every Day." Keyboard genius 
				Kevin McKendree lays down the requisite gospel piano notes. We 
				will hear much more from McKendree throughout the album, as his 
				accompaniment and solos are just one of many highlights here. 
				Nelson's longtime harmonica player Mickey Raphael shows up on 
				many of the songs, including this one, adding a slow, haunting 
				sound to Doc Pomus' "There Is Always One More Time," best known 
				for the rendition once done by New Orleans singer Johnny Adams. 
				McKendree's gospel piano work and a choir of background singers 
				takes this version to church.
				We are only into two of the 13 songs on Life 
				Don't Miss Nobody, and the purchase price has already been 
				justified . 
				But wait, there's more!
				"Life Don't Miss Nobody" opens with a guitar 
				solo that's reminiscent of Carlos Santana's "Black Magic Woman" 
				before heading south of the border for a slow, spooky number 
				that has a mariachi-style horn section and appropriate string 
				work on 12-string acoustic guitar and cuatro from Larry Chaney, 
				percussion on congos and guiro from Mike Dysinger, and plenty of 
				tasteful horns. What an outstanding original song, co-written by 
				Nelson and Dysinger!
				Jontavious Willis joins in on Sonny Boy 
				Williamson's straight-ahead Delta blues, "Your Funeral And My 
				Trial," contributing resonator guitar and sharing vocals. Doug 
				Mosher's haunting clarinet work takes the lead on Ma Rainey's 
				ragtime tune, "Yonder Come The Blues," and McKendree chips in a 
				nice jazzy piano solo.
				Ms. Nelson once did a well-received album with 
				Marcia Ball and Irma Thomas, and the three wonderful ladies team 
				up again on Naomi Neville's "Did My Part," an up-tempo blues 
				that lasts just over two minutes but packs in a lot of sound, 
				including more stellar piano work from McKendree. Nelson's voice 
				does most of the heavy lifting on the traditional, dirge-like 
				"Hard Times," also playing the 12-string acoustic guitar parts 
				while Steve Conn adds an effective accordion solo. 
				A bucket list item was fulfilled with Ms. Nelson 
				getting to perform with non-relative Willie Nelson (yeah, the 
				really famous singer) on the Hank Williams standard number 
				"Honky Tonkin'," as country as you would expect. Back to the 
				blues on the very slow Willie Dixon composition, "It Don't Make 
				Sense," with Charlie Musselwhite on harmonica, a nice piano solo 
				by McKendree, and a dirty guitar solo from Mike Henderson.
				Sax player Terry Hanck arrives to add to the mix 
				on "Compared To What," a jazzy protest song originally a hit for 
				Les McCann and Eddie Harris, with the subject matter still very 
				relevant in today's conflicted society. Besides blowing his 
				horn, Hanck also steps up to the mic to add his vocals. 
				McKendree shows his versatility by contributing jazzy piano 
				solos. 
				Nelson booms out the vocals to the soulful and 
				inspirational ballad, "Where Do You Go (When You Can't Go 
				Home)," one that she co-wrote with Marcia Ball. Jim Pugh helps 
				to give it that church-like sound on organ, with a choir of 
				background singers in the loft on this wonderful song.
				Ball and Irma Thomas are back to share vocals 
				with Nelson on Chuck Berry's "Brown Eyes Handsome Man." Reba 
				Russell, Dianne Davidson, and Vickie Carrico shout out backing 
				vocals throughout the song, while McKendree summons his inner 
				Johnnie Johnson on piano. 
				Wrapping up this very fine album is a solo 
				version of "Hard Times," which I like better than the previous 
				band version. Nelson's voice is extra strong here as she 
				accompanies herself on 12-string acoustic guitar. A great finish 
				to one of the best collections of tunes you will hear this year.
				Tracy Nelson is a gem to be cherished, as is 
				Life Don't Miss Nobody. It will undoubtedly show up on 
				multiple Best Album lists for the year.
				--- Bill Mitchell