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						Victor Wainwright 
						Boom Town 
									Blind Pig Records 
									 | 
								
							
							
							
							I’ve been a fan of Victor Wainwright’s for a long 
							time now so when I ran into him at the Blues Music 
							Awards and asked him about his new record, Boom 
							Town, I wasn’t surprised when he told me it was” 
							great.” Victor is the proud recipient of two Pinetop 
							Perkin’s Piano Player of the Year Awards for a 
							reason and he’s really grown into a mature artist at 
							the top of his game. Blind Pig Records signed a 
							great artist and Boom Town easily shows that Victor 
							was worth the investment. Let’s give Victor’s disc a 
							spin.
							We start out with the title track, “Boom Town,” and 
							Nick Black intricately picks the intro as Victor 
							lays claim to the riches he expects in “Boom Town.” 
							“It ain’t going to take long for me to be in the 
							pink….I’ve got a Mojo Hand…I’m headed off to Boom 
							Town.” Chris Stepheneson adds his Hammond Organ keys 
							to Victor’s twinkling piano ivories and we’re off to 
							a great start. We move on to “Saturday Night Sunday 
							Morning” and Victor is advising that the fun you had 
							on Saturday night is accompanied by the price you 
							pay on Sunday morning. “Definitely an up-tempo tune 
							and the band is enjoying the run, “Tonight is the 
							night…we’re going to rock our soul…first thing 
							tomorrow…we’re going to pay the toll.” 
							Guitarist 
							Nick Black joins Victor on the lead vocals for “Stop Bossin’ Me Baby” and both men are tired of being 
							told what to do. “Stop bossin' me baby…you always 
							pushing me around…bit your tongue…zip your lip…if 
							you don’t like nothing…you’re going to sink our 
							ship…stop bossin’ me baby…you always bring me down.” 
							The Wildroots are in top form and you can hear just 
							how tight they are in the mix. Victor has surrounded 
							himself with a talented group of players and they 
							are definitely one of the top bands around.
							A deep bass intro from Stephen Dees sets the tone 
							for the band as they segue into “If It Ain’t Got 
							Soul.” “Sisters and brothers…spread the news…the 
							Roots are coming to lay down the blues…in a boogie 
							style…with a down home strut…way down deep…if the 
							truth be told….if it ain’t got soul…it don’t roll.” 
							I appreciate the message of this tune and am happy 
							that Victor and the band are true to their muse. If 
							it ain’t got soul…it don’t roll. 
							Stephen Dees is 
							credited with writing most of the tunes on Boom Town 
							and our next cut, “When the Day is Done,” has a 
							deep, gospel feel to it. Stephen Kampa is blowing 
							harp in the background as Victor tackles this plea 
							for redemption. “So…take me down to the river….save 
							my soul…Holy Son….wash away all my sorrow…I’ll be 
							ready when the day is done.” Victor’s upbeat 
							personality is apparent in his keyboard work as he 
							moves to another Dees tune, “Genuine Southern 
							Hospitality.” Here we celebrate the goodness in 
							folks of the South and their willingness to share 
							their good will. “Have a heaping helping…of Southern 
							hospitality…pan fried, genuine….Southern 
							hospitality.”
							A light snare intro from drummer Billy Dean sets the 
							tone for our next cut, a boogie woogie tune 
							entitled, “Two Lane Blacktop Revisitied.” “Cool down 
							that radiator…I’ve got a full tank of gas…back up on 
							that blacktop…it’s time for hauling ass… I looked up 
							in the mirror…and who do you think I saw…that no 
							good Johnny Law…I don’t want to deal with this 
							doggone cop…I’m hauling gear on this two lane 
							blacktop.” 
							We move on from mayhem to relaxation as 
							Patricia Ann Dees joins Victor on the vocals as the 
							time has come for Victor to enjoy the ambience of 
							the “Wildroot Farm.” “Ain’t got no worries…no 
							troubles…no cares…down on the Wildroot farm…get it 
							while the getting is good.” More sweet harp tones 
							from Stephen Kampa round out the sense of relaxation 
							that can be found on the Wildroot farm. Victor and 
							the band segue into the first instrumental on the 
							disc, “Piana’s Savannah Boogie” and you can hear 
							Victor’s fingers sliding up and down his piano as he 
							tackles the Boogie Woogie beat of this tune. It’s a 
							great place in the mix for an instrumental and I’m 
							enjoying the brief break that it provides.
							So of course we move on to the macabre and 
							mysterious implications of “The Devils Bite,” and 
							here we find Victor reflecting on the evil that has 
							befallen him. “She’s driving by the hunger…to 
							dominate her man…she’s got you in her sights…it’s 
							feeding time again…your life is in danger…about to 
							end…be careful my friend…beware the Devils Bites.” 
							JP Soars is providing his acoustic fretwork to this 
							tune and I appreciate the delicateness of his 
							picking to accompany this song. Tempo picks up but 
							we stay in the same vein as the band plays the 
							opening of our next cut, “Reaper’s on the Prowl.” 
							Here the adversary is the Devil and Victor knows the 
							Reaper’s hunting him. “You know I’ve been pretty 
							good….saying all my prayers….why are you hanging 
							round my door…Hell no....I don’t want to go…quite 
							creeping round here.” Victor’s playing some pretty 
							sinister notes on his Hammond and it’s clear he’s 
							not going to let the Reaper get to him. 
							Fortunately 
							for all of us the next tune, “Back on Top,” features 
							a much lighter feel with Robert “Top” Thomas on the 
							lead guitar. “No, I won’t be looking back…I will not 
							live in the past…I move on down the road…pushing 
							hard on the gas…you may be the first baby…but you 
							won’t be the last…cause I’m back on top again.” 
							
							Victor and the band close out 
							Boom Town with one 
							more instrumental, “WildRoot Rumble,” and honestly 
							this tune has kind of an Old West feel to it as 
							though the law is after Victor and the band again, 
							which they probably are. 
							Victor has surrounded himself with some of the 
							finest players Memphis has to offer with Nick Black 
							on guitar, Stephen Dees on bass, Patrician Ann Dees 
							on tenor sax and vocals, Billy Dean on drums, Charlie DeChant on baritone 
							and tenor saxophones, Ray Guiser 
							on tenor sax, and Stephen Kampa on the harmonica. 
							The end result is that Victor and the WildRoots are 
							one of the most entertaining Blues bands on the 
							circuit today. You can learn more about Victor, the 
							band and Boom Town at
							
							www.vwwroots.com.
							
							Boom Town is 
							an excellent record and one I’m sure that will 
							garner Victor and the WildRoots some nominations 
							come BMA time. The energy of a live show from Victor 
							& the WildRoots is contagious so hit one soon and 
							tell all your friends. 
							--- 
							Kyle Deibler