The
Bluesmasters
The Bluesmasters Featuring Cassie
Taylor
Exulans DMD
|
The
Bluesmasters' latest release, eighth overall,
features blues vocalist/bassist Cassie Taylor on a
superb gospel-flavored set of soul and blues. Taylor,
the daughter of guitarist Otis Taylor, made her mark
initially as a member of her father's band, later
embarking on a solo career. She left the music scene for
a decade to deal with personal issues, but returns with
a vengeance on The Bluesmasters Featuring Cassie
Taylor (Exulans DMD), a stellar set of inspiring
tracks recorded live in the studio.
Joining Taylor on these ten tracks are
Kassidy Kent (bass, background vocals), Christian Teele
(drums), Eric Moon (keyboards), Tim Tucker (guitars),
Stella Ann (percussion/background vocals), Sally Van
Meter (lap steel), Doug Lynn (harmonica), and background
vocalists Kylee Ribble, Larea Edwards, and Chrissy
Grant. The songs will be familiar to fans of southern
soul, blues, and gospel, but singer and band deliver
these tracks like they're brand new.
The Staples Singers' “Downward Road”
opens the disc, one of several tunes associated with the
group on the set. This rendition adds steel guitar and
harmonica over a Windy City-styled shuffle. Taylor's
heartfelt vocal is a standout on a moving version of
Blind Willie Johnson's “Nobody's Fault But Mine,” backed
by sweet background vocals, Lynn's harmonica, and Moon's
keyboards (including accordion).
Another song associated with the
Staples, the powerful “Sit Down Servant,” opens with
searing fretwork and Taylor and the backing vocalists'
interplay is remarkable.
Ramsey Lewis' “Wade In The Water” gets a thoroughly
modern update, with outstanding rhythm work from the
band and a fine vocal effort from Taylor and the
background singers.
“You're Gonna Make Me Cry,” the soul
classic previously recorded by both the Staples and O.V.
Wright, is fantastic, with Taylor at her very best on
this reading. “If I Could Hear My Mother Pray Again”
dates back to the 1920s, written by Whit Vaughan, and
The Bluesmasters's updating of this oft-recorded gospel
tune is first-rate.
The next three songs are also associated
with the Staples Singers. “Come Go With Me” was a Top 10
pop hit in 1973, with the group's rendition pretty
faithful to the single and Taylor's vocal is sweet. “I
Wonder Why” brings the blues into the mix front and
center, as Taylor testifies, backed by Lynn's harmonica.
“Respect Yourself” gets an affectionate
treatment that grooves as strongly as the original. The
album closes with a blues-infused read of Don Covay's
“Chain of Fools,” a big hit for Aretha Franklin back in
the day.
It's great to hear Cassie Taylor's voice
again, and it seems she's found the perfect compliment
to her talents with The Bluesmasters. Their latest
effort is a fantastic marriage of blues, soul, and
gospel, appealing to fans of all three genres.
--- Graham Clarke