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						Deanna Bogart 
						Pianoland 
									Blind Pig Records 
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							It’s a nice fall day here in Colorado and I’m 
							finding this to be a rare morning of opportunity. 
							What better way to start the day then to have the 
							fireplace burning and a copy of Deanna Bogart’s
							Pianoland playing on the stereo? What’s 
							unique is that this disc is a piano only release by 
							Deanna, there’s not an ounce of saxophone performing 
							on it anywhere. I’ve always thought that D was an 
							underappreciated piano player and now that I’ve 
							heard this disc, I would have to agree with Tommy 
							Castro’s recent prognostication on Blues Cruise #19, 
							”it’s time for Deanna Bogart to win a Blues Music 
							Award for her piano playing!” Now let’s see if I can 
							do a good job explaining why, time to hit play.
							Deanna opens with “In the Rain,” a tune about the 
							ups and downs of existence but always knowing that 
							at the end is something worthwhile. “I don't know 
							what's in store…but like love washed ashore…a pearl 
							will still remain…in the rain!” Deanna is back by 
							her usual stellar cast of characters, Mike Aubin on 
							drums, Scott Ambush on bass, Dan Leonard on guitar 
							and Jeff Reed makes an occasional appearance on the 
							upright bass. Deanna has played with this supporting 
							cast for a long time now and their tightness as a 
							band really shows. D’s musings on life continue in 
							“On And On And.” “Maybe it’s the world…maybe it’s 
							just me…maybe it’s just the way things are supposed 
							to be.” I’ve always known Deanna to have an 
							inquisitive view of the world and this tune is 
							another example of that. What follows next is an 
							instrumental, “Boogie Woogie Boogie,” composed by 
							Earl Garner is up next and Deanna leads the way with 
							some very inspired work on the keys. 
							Up next is “Couldn’t Love You More” and here we 
							find Deanna sharing her love and heart with another, 
							showing her support in the hard times. “What it 
							takes to heal the breaks…is worth a love that’s 
							true…I just know when your heart aches…that mine 
							does too!” “Where the Well Never Runs Dry” is 
							probably my favorite tune on Pianoland and 
							it's Deanna’s comment on the power of perseverance. 
							“I’ve always believed that whatever I need…is 
							somewhere here inside…but lately I don’t have 
							enough…or is it just that I…gotta go deeper where 
							the well never runs dry?” Exploring our limits is 
							part of the human condition and everyone will be 
							surprised at just how deep their own well runs! I’m 
							happy to hear Jeff Reed’s upright bass in Deanna’s 
							take on out next tune, the Willie Dixon classic, “I 
							Love the Life I Live.” “Just please forgive me…if 
							you will…I live the life I love…and love the life I 
							live.
							Deanna has the throttle wide open on our next 
							instrumental, “Death Ray Boogie,” before segueing 
							into a classic tune from the Wizard of Oz, “Over the 
							Rainbow.” Those of us old enough to remember the 
							original by Judy Garland will appreciate Deanna’s 
							take on the song she made famous. “Somewhere over 
							the rainbow….bluebirds fly…birds fly…over the 
							rainbow…tell me why or why….can’t I?” You can 
							Deanna, you definitely can. 
							Up next is the title cut, “Pianoland.” And 
							Pianoland appears to be Deanna’s refuge from the 
							world, a place where she’s safe and sound. “Ooooh…wanna 
							come with me…to my island in the sea…when it all 
							gets turned around…and I need to leave the 
							ground…I’m safe and sound…in Pianoland!” 
							Pianoland closes with another amazing 
							instrumental, “Blues at 11,” and the James Taylor 
							tune, “Close Your Eyes.” In my mind’s eye I can see 
							Deanna at the piano in her music room at home, late 
							at night, working out the chord progressions for 
							“Blues at 11” and not going to bed until she’s 
							finished. The same attention to detail serves her 
							well in “Close Your Eyes.” “So close your eyes…you 
							can close your eyes…it’s alright…and I don’t know no 
							love songs…and I can’t sing the blues anymore…but I 
							can sing this song…and you can sing the song…when 
							I’m gone.” Fortunately for all of us, we’ll have 
							Deanna and her band around for a long, long time to 
							come.
							Pianoland marks Deanna’s return to Blind 
							Pig Records and you can grab a copy of this 
							wonderful disc from Deanna on her website,
							
							www.deannabogart.com, 
							or the Blind Pig site at
							
							www.blindpigrecords.com. And when the 
							nominations for the BMAs come out, if Deanna’s name 
							is amongst those nominated for the Pinetop Perkins 
							Piano Player of the Year Award…give this disc a 
							listen and then vote your conscience…let’s see if 
							Tommy Castro is a true teller of fortunes!
							--- Kyle Deibler