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						The Sad Sam Blues Jam 
						Finally .. the EP 
									Self-released 
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							The foursome from Bloomington, 
							Indiana known as The Sad Sam Blues Jam can be 
							excused for not putting out an album until now, and 
							then with only six songs on it. The band members 
							have had more pressing business to take care of .... 
							like going to high school, starting college, etc. 
							Their first release, Finally ... the EP, 
							gives hints that there's a lot more music coming 
							from this ensemble led by teen-aged sisters Sadie 
							and Samantha Johnson (thus the origin of the "Sad 
							Sam" name). The sisters are joined by Krista Hess 
							(guitar) and Matt McCarthy (drums).
							While all four band members are 
							solid, make no mistake about it --- Sadie Johnson is 
							the star of this show. Props to her parents for 
							being prescient enough to give her a birth name that 
							would certainly not have been out of place in in the 
							1930s blues industry! After you hear the guitar 
							playing of this young woman who only recently turned 
							18, you'll wonder whether she is actually in some 
							convoluted way descended from Robert Johnson. All 
							jokes aside, Sadie Johnson is one of the 
							up-and-coming guitar stars on the horizon. She's 
							going to delay the start of her college 
							matriculation to tour Europe and the U.S. with this 
							year's version of Ruf Records' "Girls with Guitars" 
							caravan. 
							Check the multitude of
							
							Youtube videos and you'll see that Sadie's an 
							extremely versatile guitarist and singer, capable of 
							sitting down with an acoustic guitar for an earthy, 
							heartfelt version of a Robert Johnson song, or 
							turning out spot-on guitar riffs on the Allman 
							Brothers' "Jessica," or getting down and funky with 
							an original "Funk in B." Then stop to remind you 
							that this talented young woman was only 17 when 
							these recordings were made.
							This EP can't capture the excitement 
							and magnetism of the band's live Youtube 
							performances, but regardless there are six strong 
							recordings here. Kicking off the album is the 
							up-tempo blues shuffle "My Heart Keeps On Lovin' 
							You." It's a good introduction to the band, with 
							Sadie starting to throw in more intricate guitar 
							riffs as the song progresses. 
							The band gets a little funkier on 
							the second cut with a version of Hop Wilson's "Black 
							Cat Bone," with steady, rhythmic drumming from 
							McCarthy. Sadie also represents herself well on 
							vocals here. Her voice is reminiscent of that of 
							Montreal blues singer/guitarist Roxanne Potvin, 
							although it's not yet as rich as her Canadian 
							counterpart. The only complaint here is that the 
							second guitar solo is mixed a little too loudly 
							compared to the rest of the band.
							Sadie really shines on vocals on the 
							blues shuffle "Just Won't Cut It," showing more 
							range and with a little blues sass injected into her 
							voice. She backs up the attitude with a stinging 
							guitar solo between the choruses. 
							The rest of the band takes a break 
							and let's Sadie sit down with her acoustic guitar 
							and slide for an absolutely killer instrumental 
							version of Elmore James' "Dust My Broom." Oh my, 
							this is just so good! Did the girl sneak out of the 
							Johnson household one night to sell her soul down at 
							the crossroads?
							The rhythm section lays down a heavy 
							bass line on the slow- to medium-tempo "Hide," with 
							Sadie's nimble guitar solo and more sultry vocals 
							providing a nice contrast to the band's grinding 
							accompaniment. 
							Saving the best for last, the band 
							closes their debut EP with a very nice, laid-back 
							version of the old blues classic "Nobody Knows You 
							When You're Down and Out." This is another vehicle 
							to showcase Sadie's prodigious guitar and vocal 
							talents, with the only accompaniment being 
							tastefully subtle drumming by McCarthy using 
							brushes. Sublime!
							Performances by The Sad Sam Blues 
							Jam will be sporadic events, with Sadie's Ruf tour 
							taking up much of 2015 along with all three young 
							women attending different universities, but they 
							promise on their
							
							website to have some shows around Indiana after 
							the school year ends. Having missed Sadie's recent 
							appearance in Phoenix (I learned of her existence 
							just days after she was here!), I'll certainly be 
							keeping an eye on their schedule. Who knows, maybe a 
							visit to Indiana will be part of my travel schedule 
							for later this year.
							--- Bill Mitchell