| 
									 
						Blackburn 
						Brothers In This World 
									Electro-Fi Records 
									 | 
								
							
							
							
							
							Brothers In This World (Electro-Fi) from the 
							Canadian group Blackburn is the disc that I 
							look for every year --- the recording that comes out 
							of the blue and knocks my ears back. The disc that 
							begs the question – who are these guys? These four 
							talented musicians, Duane, Robin, Cory and Brooke 
							Blackburn, and their bassist bud Andrew Stewart, are 
							the most soulful/funky unit to come down the pike in 
							a while.
							Lead vocalist/organist Duane has a wholly appealing 
							whiskey-soaked, or maybe coffee-soaked, voice that 
							drives the groove-laden opener, "My Train." Brooke 
							takes lead vocal duties on the following "Good 
							Woman." His guitar work is stellar and chases his 
							growling vocals. Duane brings it back on "Holla 
							Back" (“I’m your man/yes I am/I’m your man/holla 
							back as soon as you can”). The brass support is 
							subtle but effective. 
							On 
							"Walking In New New Orleans," the strut of the New 
							Orleans meets Memphis is mesmerizing. (“I was born 
							in the North/raised on reel-to-reel”). And, dig the 
							piano. Duane sings, “The blues overtakes me” and you 
							know the bug is contagious. "Railroad Song," again 
							with Duane on lead vocals, features Brooke’s funky 
							chunky guitar work. This is a booty shaker of the 
							first order. 
							"Traces" has a Latin groove. Organ and percussion 
							propel this, reminiscent of classic Santana. I Can’t 
							Take It (I Miss Your Smile) is an AWB-meets-the-JBs 
							style romp that features Brooke’s jaw-dropping wah 
							wah guitar work and Duane’s ever-present organ. As 
							is the case throughout, Duane’s raspy vocals are 
							soulful. The rhythm team of drummer Cory and bassist 
							Stewart is as rock steady as you’ve heard. Robert’s 
							backing vocals are ever-present. 
							Their version of BB King’s "Why I Sing The Blues," 
							the only cover song here, with a killer trombone 
							from Ted Peters, has a mix of superb vocals and a 
							funky Kansas City backbeat. Duane’s "White 
							Lightning" features his fantastic B3 over a knock 
							out horn section. The organ and hand claps are deep 
							in the Jimmy Smith school. 
							Somewhere between the Holmes Brothers, Neville 
							Brothers and War, the vocals, the instrumentation 
							and the brilliant compositions and arrangements make 
							this disc one of the standouts of the year. Whew!
							
							--- Mark E. Gallo