Bernard
Allison
Luther's Blues
Ruf Records |
I had been listening to the blues for about a
decade when Luther Allison suddenly passed away. His death was
quite a jolt to blues fans because he was one of my first
personal favorites and he had recently enjoyed a resurgence in
the U.S. with his recordings for Alligator Records. A few months
after his passing, I stumbled across a recording by Bernard
Allison, who I discovered was Luther’s youngest son.
That recording (1997’s Keepin’ The Blues
Alive on Cannonball Records) blew me away because the
younger Allison was a powerhouse guitarist and vocalist like his
dad, but he also incorporated elements of music that he (and I)
had listened to as a youngster. Heavy doses of funk and R&B,
which his dad did as well, but with a more modern twist that
really appealed to me.
As I listened to his earlier and later
recordings, I never really thought of him as “Luther’s son.” To
me, he was always very much his own man as an artist. When I
interviewed him for my blog back in 2015, he told me the best
piece of advice he received when starting out was to “(l)isten
to all styles of music and try to find yourself within and play
what your heart feels, as opposed to copying someone else’s
feel.”
Over his career, the younger Allison has always
included a song or two from his father’s catalog on his numerous
albums, mostly for Ruf Records, the German label that has served
both Allisons well over the years. Ruf recently issued a
compilation of those tracks, coinciding with their 30th
anniversary. Luther’s Blues collects 20 of Bernard
Allison’s versions of Luther Allison’s tunes in an outstanding
two-CD set.
The electrifying “Hang On,” from Bernard’s 1992
album of the same title, is an appropriate choice to lead things
off, but other tracks, like the soulful “Reaching Out” and the
funky blues “Too Many Women,” show the musical versatility of
both Allisons.
While there are songs that will be familiar to
Luther Allison fans, such as “Serious,” “Life Is A Bitch,” “Move
From The Hood,” and “Bad Love,” one of the cool things about
Bernard’s song selection is that he often opts for lesser-known,
but no less powerful songs that might have slipped through the
cracks otherwise. “Into My Life,” “Help,” “Now You Got It,”
“Change Your Way Of Living,” “You’re Gonna Need Me,” and “A
Change Must Come” may not be as familiar, but they show what a
great songwriter the elder Allison was.
Another thing about Bernard’s approach is that
while he’s playing his father’s music, he doesn’t just offer the
basic, routine covers. He finds something of himself in each of
these songs and plays what’s in his heart, just like his father
encouraged him to do. Longtime Luther Allison fans will enjoy
these songs, but they will also dig the additional twists and
turns that his son gives each of these songs.
Bernard Allison made a promise to his mother,
Fannie Mae Allison, at the beginning of his career that he would
always include one or two of his father’s songs on every album
he recorded. He’s held to that promise throughout his career,
and thanks to that promise, blues fans now have this awesome
collection of the father’s songs performed by the son.
Blues fans are encouraged to take in Luther’s
Blues as soon as they can. It will be one of the wisest
purchases you make as a blues fan.
--- Graham Clarke