Tinsley Ellis
Naked Truth
Alligator Records
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I’ve been listening to and following
Tinsley Ellis since I heard him perform at the
Chunky Rhythm & Blues Festival in 1988, and I have to
admit that I was a bit surprised that Naked Truth
(Alligator Records) is his first-ever solo acoustic
release. That being said, Tinsley Ellis unplugged is
nearly as “electric” as Tinsley Ellis plugged-In because
of his always-dynamic playing. His acoustic approach
cuts to the rawness of the music in a unique way.
These 12 songs (nine written by Ellis) were recorded
live in the studio, using his 1969 Martin D-35 and his 1937 National
Steel O Series guitar. The rumbling leadoff track, “Devil In The Room,”
is from an expression Ellis heard from his close friend, the late Col.
Bruce Hampton. “Windowpane” has a gentler touch, reminiscent of Skip
James’ Bentonia brand of blues, both vocally and on guitar.
The rousing cover of Son House’s “Death Letter Blues”
was produced by fellow Atlanta artist Eddie 9V and Ellis captures the
stirring intensity of House’s famous early 60’s version, and “Silver
Mountain” is the first of four superb instrumentals. The second cover is
a good-natured read of Muddy Waters’ (via Willie Dixon) “Don’t Go No
Further.”
The second instrumental (and third cover) is a
breathtaking version of Leo Kottke’s “A Soldier’s Grave On The Prairie.”
The energetic “Tallahassee Blues” and the relaxed “Hoochie Mama” are
both terrific Delta-flavored blues, followed by the expeditious
instrumental “Alcovy Breakdown.” “Horseshoes And Hand Grenades” revisits
that Delta sound with Ellis’ clever lyrics giving the song a more
contemporary touch.
The album wraps up with the jaunty “Grown Ass Man,” with
more great songwriting from Ellis, and the serene instrumental closer,
“Easter Song.” These lovely instrumentals really another side of his
guitar playing that, hopefully, he will iinclude more on future
releases.
Naked Truth is a wonderful addition to Tinsley
Ellis’ catalog of recordings (21 in all) and should please his many fans
as well as any fans of acoustic guitar.
--- Graham Clarke