Buddy Guy
Ain't Done With The Blues
Silvertone/RCA Records
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Buddy Guy's newest album, Ain't Done With The
Blues, was released his 89th birthday. with a smorgasbord of 18
numbers. There have been hints that it will be his last set of
recordings, but as good as he still sounds I'm not counting him out for
a future album just yet.
Produced by long-time collaborator Tom Hambridge,
Ain't Done With The Blues includes many special guests showing up on
various cuts. Instead of pushing Buddy aside, these contributors are
there to pay homage and support this icon of the blues on their
respective appearances. It's quite a reputable list of guests, including
Christone "Kingfish" Ingram, Joe Walsh, Joe Bonamassa, Peter Frampton,
and Blind Boys of Alabama.
Two of the numbers are Guy's
short tributes to blues legends that inspired him, with the opening cut
being, "Hooker Thing," on which he plays a few lines of John Lee
Hooker's "Boogie Chillen." That leads into his own autobiographical
thing, "Been There Done That," as he sings about working in the cotton
fields and driving a tractor early in his life. Former Allman Brother
pianist Chuck Leavell contributes very nice B3 organ and Wurlitzer
piano.
Kevin McKendree shows up on piano on the mid-tempo
shuffle, "Blues Chase The Blues Away," before Guy takes it to New
Orleans on the urban funky number, "Where U At?" He sings about dirty
rice, Congo Square, Mardi Gras beads, and other Crescent City topics,
while Ingram joins in on both vocals and electric guitar and Leavell
adds the requisite piano accompaniment.
Guy shows plenty of emotion in his voice on the slow
tune, "Blues On Top," also laying down tasty guitar licks, before
picking up the tempo on Guitar Slim's "I Got Sumpin' For You." Joe Walsh
comes in on vocals and slide guitar on the single from the album, "How
Blues Is That," as they both sing about typical facets of blues life,
such as pawnshop loans that can't be paid back and only being able to
afford to eat at all-night diners.
Bonamassa joins the band on the very slow
gospel-influenced blues, "Dry Stick," as Guy relays a lesson he learned
from his mama to always keep dry wood around for a wet day. Frampton
joins in on vocals and guitar on the mid-tempo blues shuffle, "It Keeps
Me Young," with Guy's message here being that playing the Chicago blues
at a very loud volume has kept him young.
Leavell stars
on piano on the late night blues, "Love On A Budget," starting with a
slow tempo before later picking up the pace. "Jesus Loves The Sinner"
opens with a slow, ethereal vibe before the Blind Boys of Alabama come
in on vocals, giving the reminder that while Jesus loves the sinner he
hates the sin.
It's all Buddy's show the rest of the way, with no
additional celebrity guests, singing about inflation on the up-tempo
blues "Upside Down," before paying tribute to another of his idols,
Lightnin' Hopkins, on "One From Lightnin'."
Guy gives us his own powerful history lesson on the
slow, snaky blues, "I Don't Forget," as he reminds us about slavery, not
being allowed in segregated swimming pools, and especially the potent
vocal line "... I've still got scars across my memories ..." Incredible
song, just really incredible.
We're back in New Orleans for a very fine cover of Earl
King's classic, "Trick Bag," one that I never tire of hearing. Guy
doesn't stray too far from the original yet his personality still comes
out. "Swamp Poker" is a swampy mid-tempo blues, with Leavell doing it on
the Wurlitzer.
Buddy's show his soul side con the slow ballad "Send Me
Some Loving," originally Little Richard's B-side to his 1957 mega hit
"Lucille." Guy shows that he's still got the pipes to handle this one.
Closing this superbly wonderful album is a frantic
version of J.B. Lenoir's "Talk To Your Daughter," with Guy again belying
his age with the powerful vocals needed for this blues stomper.
One note to add is that the booklet accompanying this
album has the full session info for each cut, including which guitar Guy
was playing on each session.
I'm out of words to describe
the importance and brilliance of this album. It's an essential purchase,
and when Buddy Guy says "Ain't Done With The Blues," we can hope that's
true and there will be more to come as he heads into his 90's next year.
--- Bill Mitchell