Garry Burnside
It's My Time Now
Strolling Bones Records
Kent
Burnside
Hill Country Blood
Strolling Bones Records
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Garry Burnside is the youngest
son of Hill Country blues legend, R.L. Burnside. He grew
up playing with his father and older brothers, and spent
his early days playing guitar or bass with another
legend, Junior Kimbrough. Burnside appeared on all of
Kimbrough's acclaimed Fat Possum releases, as well as
playing and recording with the North Mississippi
Allstars and their side project, the Hill Country Revue.
He's also played and recorded with nephew Cedric
Burnside, Jesse Mae Hemphill, Bobby Rush, and many
others.
Burnside now takes center stage with an
impressive debut release as a front man. It's My Time
Now (Strolling Bones Records) was recorded in
Memphis at Royal Studio, produced by Boo Mitchell, and
features Burnside on 11 tracks, nine originals with one
track apiece from the elder Burnside and Kimbrough. The
band includes Andrea Stanton (rhythm guitar), Pinky
Pulliam or John C. Stubblefield (bass), and Avery
Dilworth (drums).
The opening track, “High,” is the first
of three tasty instrumentals, this rocking track
showcasing Burnside's guitar skills and serving as a
perfect introduction to what follows. “Young Country
Boy” deftly mixes a Hill Country groove with funk, and
serves as a mission statement of sorts for Burnside.
The title track features that droning
Hill Country groove with fiery fretwork, and serves
notice that the young guitarist is now moving to the
front of the stage to show us what he can do. The funky
workout, “Hangin' In There,” which Burnside originally
penned for the Hill Country Revue, will work its way
down into your bones.
Burnside's cover of his father's “Bad
Luck City” is instrumental, as the son didn't feel that
he could do justice to the vocals. In retrospect, it was
a great move, as he perfectly captures the tone and mood
of the original version, with his sensitive guitar work
doing the singing for him.
Garry Burnside actually co-wrote Junior
Kimbrough's “Ramblin',” which follows, and this version
really cooks, showing the young man learned from his
mentors, but also takes it to the next level.
“Holdin' My Woman” is another Hill
Country groover about betrayal by a friend, and “I Been
Looking” has a real traditional feel that even newer
listeners can relate to. “She's Gone” is a terrific
rocking blues tune with a bit of funk mixed in, and the
third instrumental, “AGF Out,” is a real scorcher that
gives the entire band room to stretch out.
Closing the disc is a “bonus” track,
“Garry's Night Out,” a lively, extended tune describing
a typical night out with Burnside.
Hill Country blues fans will find a lot
to love with It's My Time Now, the fine debut
solo effort from Garry Burnside. He pays tribute to
those who mentored him while continuing to look forward
to expand the music's influence and its audience.
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Kent Burnside is the grandson of
R.L. Burnside, who encouraged Kent to develop his own
style of playing and performing that went beyond the
Hill Country blues style the elder Burnside was
associated with. The younger Burnside did just that,
crafting a style that encompassed Delta and Chicago
blues, along with blues-rock and funk, with his Hill
Country roots. He served as guitarist in Jimbo Mathus'
band and has developed a long relationship with Buddy
Guy, playing numerous times at Guy's Legends nightclub.
He's been leading his own band for nearly 20 years.
Burnside's latest release, Hill
Country Blood (Strolling Bones Records), includes
ten songs, eight originals and two covers. Backing him
on these tracks are his uncle Garry Burnside (bass),
Jake Best (drums), and Damian Pearson (a.k.a. Yella P of
Memphisissippi), who plays harmonica on four tracks. The
album was recorded at Royal Studios in Memphis and
produced by Boo Mitchell, who also recently produced
Garry Burnside's debut release.
The opening track, “Daddy Told Me,” is a
solo track, just Burnside and his guitar. He tells the
poignant story of his father's rejection of his early
musical intentions, warning the youngster that he would
disown him if he didn't finish school, which Burnside
managed to do and also pursue a musical career. The
gritty title track finds Burnside acknowledging his
musical roots, and how that music continues to be a huge
part of his life and his music.
On a briskly-paced read of John Lee
Hooker's “Crawling King Snake,” Burnside modifies the
lyrics, adding a droning rhythm with muscular fretwork
and Pearson's harp work accentuating the tune as well.
“I Heard” is a groove-laden track deep in the Hill
Country tradition punctuated by Burnside's guitar, which
touches on blues and rock equally.
The fiery “I Go Crazy” brings back
Pearson's harmonica a bit deeper in the mix, giving it
an eerie feel, as Burnside tells a haunting tale of
passion and jealousy. “One More Chance” is a moving
ballad about the risk of losing it all in a
relationship. Burnside's earnest vocal carries the day
on this tune, again paired effectively with Pearson's
harp.
“Rob and Steal” returns to the hypnotic
Hill Country groove, with driving rhythm work from Garry
Burnside and Best on bass and drum, respectively. “I Can
Feel It” is a supreme soul ballad about love at first
sight, with fine vocals and guitar work.
On Burnside's cover of Junior
Kimbrough's “You Better Run,” the guitarist maintains
the mesmerizing rhythmic drive of the original, but
revises the tale from its original sexual overtone to
one of protection from potential sexual violence. This
change gives the song a different edge.
The closing track, “I Miss You,” is a
moving acoustic track, with Kent and Garry Burnside on
guitars and Pearson on harmonica. This one pays tribute
not only to Burnside's grandfather, R.L., but also his
late mother and other members of the family.
Hill Country Blood is another
fantastic entry into the modern Mississippi blues
catalog that shows the music is alive and still thriving
with the prospect of some great music ahead for blues
fans.
With this release from Kent Burnside,
his uncle Garry's new album, plus Anthony “Big A”
Sherrod's latest effort all hitting the racks these next
few months, it's clear that the younger generation of
Mississippi blues men will be keeping the fires burning
for a long time.
--- Graham Clarke